A Review of the Guitar Edition of the “Christian Worship Supplement” by NPH

by Steve Brown


My church has recently ordered a copy the Guitarist’s edition of the CW Supplement for my use in worship.  Physically, it is a collection of 3-hole punched pages containing the lead sheets and chords of almost all of the new hymns and songs added to the new hymnal supplement.

Upon closer inspection, my smile grew bigger and bigger.  I am a picky guitarist.  I’m an old codger who’s been playing for almost 40 years now, and I know when chords have been simplified or when the guitar music has been written by a pianist.  This guitarist’s edition is first rate and extremely well done.  The chords are complex, but clearly illustrated, and the songs have been transposed into more guitar friendly keys where appropriate.  The editors and writers even knew enough to not transpose to a key above the third fret, which would force us guitarists to retune our guitars due to the intonation errors associated with such a high capo position. 

All of the chords are clearly defined in a graphical format under each song.  In fact, the editors have included the original chord shapes and the new chord shapes in the songs that have been transposed.  This allows for both a beginner and an advanced guitarist to decide whether to play the song in the original key or at the transposed position.  A very nice feature indeed! 

Another wonderful feature of this music is the fact that the chords have not been simplified.  There are some great slash chords such as C/E, D/F#, Bb/D, E7/G#, etc., suspended chords, major sevenths, and a liberal use of more intricate contemporary chord shapes (2s, 5s, +9s, etc.).  All of these chords are clearly identified in pictorial formats. 

Another great feature is the fact that they have typically put all the lyrics under the melody line and the chord shapes.  There are very few instances where additional verses are written below the musical score and without chords.  This only occurs on the few songs that have many verses. 

Lastly, I looked at a few of the hymns that were not put to guitar music and I can see why.  They are the types of hymns that would require a different chord for every note in the melody line. 

Bottom line, if you are WELS, and a guitarist, you need this resource.  Kudos and a job well done goes to everyone on the hymnal supplement committee, the Commission on Worship, and the folks at NPH on this product, and not only for doing such a fine job, but for having the foresight to even include guitar music to the hymns.  I can’t wait to play some of these songs in worship.  This is a night and day improvement over the chords, or lack of chords (grrrr!), printed in the “Let All the People Praise You” songbooks.


One response to “A Review of the Guitar Edition of the “Christian Worship Supplement” by NPH

  1. John,

    We have been practicing CWS #735 (Speak, O Lord by Keith Getty & Stuart Townend) for the 7/12 service. I had never heard the song before seeing it in the supplement. It has powerful lyrics and is in a minor key which is nice for a change. Here is what it says about the song on wels.net:

    Concerning this text, the composers say, “So incredible is the Word of God’s power. It is our prayer that through the power of the Spirit, this hymn will prepare people to humbly listen to the Bible being taught and to respond to the huge consequences it has on their lives.”

    Townend and Getty both admit they are motivated by the idea of capturing biblical truth in songs and hymns that will not only cause people to express their worship in church, but will build them up in their Christian lives.

    As this is a new song for us, the composers indicate that they think of the hymn as being sung in a gentle and prayerful manner and that the tempo should be rather slow.

    Thank you for including some of my work on your site!


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